(55) Pankh Hote To Ud Movie- Shehra Raga- Bhopali Notes - SaReGaPaDhaSa Pankh Hote To Ud Aatee Re Sa.Sa. Sa.Sa. Dha DhaPa PaDha DhaGa Rasiyaa O Jalimaa GaPa PaGa Ga ReSaGa Tujhe Dil Ka Daag Dikhalaatee Re DhaDha DhaGa Ga PaRe Re ReRe GaSa Sa Pankh Hote To Ud Aatee Re Tujhe Dil Ka Daag Dikhalaatee Re.
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Bhoopali![Dagh Dagh](/uploads/1/2/5/7/125705171/375827460.jpg)
Hindustani traditional songs |
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BhoopaIi, also recognized asBhóop,BhopaIiórBhupaIi, (Hin: भूपाली / भोपाली) is a Hindustani classicalraga. It is a pentatonic scale (uses 5 records in ascending and descending size). Many of the songs in this raga are usually based on Bhakti rása. Since it utilizes 5 records, belongs to the 'Audáv jaati' of rágas.
Thé exact same raga in Carnatic songs is identified as Móhanam.
Rága Bhoopali, Raga Yáman and Raga Bháirav are likely to be the three basic ragas of Hindustani songs, learnt very first by its college students.1
- 1Concept
Theoryedit
Karhade (2011) clarifies that raga Bhopali is made up of just 5 notes - स रे ग प ध (sa, re also, ga, pa ánd dha).2It will not use Mother (furthermore called Madhyam) and Ni (furthermore called Nishadh).2It is usually said that the lack of Ni (consultant of physical satisfaction) and Mother (consultant of caring) means this raga is about non-attachmént.3
The Intro is made up of two components -Aróhआरोह (where thé records are just recited on an climbing level) andavaróha(where thé noles are simply recited on a descending purchase)2
Thereafter, with these same five information, different combos are produced by the vocalist, similar to short phrases, furthermore known as 'chalan'.2
Aroha amp; Avarohaedit
The scale ofBhopaliutilizes onlyShuddhswáras.
- Avaroha (descent): Sa Dha Pennsylvania Ga Re Sa
- S, Chemical1 Chemical1.Beds, L -S i9000.Deb1 T., Deb1 -G1, Beds -D1 S -M1 G1, G1 D1, Deb1 N1 S
- Beds R Gary the gadget guy R H M1 S R Gary the gadget guy
- H R H R S D1 G1
- P1 Chemical1 T R Gary the gadget guy R G
- S i9000 R G H
- G R Beds R G G
- Gary the gadget guy P D P G D T'
- P G G D G D S' Ur' H' L' H'
- Gary the gadget guy' Ur' S i9000' D P H R H
- Pankh Hote To Udd Aati Re also (Sehra) (1963)
- Primary Jahaan Rahoon (Namastey English) (2007)
- Dil Hoom Hoom Kare (Rudaali) (1993)
- Sayonara Sayonara (Love In Tokyo) (1966)
- Dekha ek khwaab to yeh silsile color (Silsila) (1981)5
- Aayat (Bajirao Mastani) (2015)
- Ghanashyam Sundara (Amar Bhoopali(1951))
- ^Pathak Yajurvedi, Dr. Sarita. 'Address - Raag Bhopali (Edusát)'.www.youtubé.com. Bhárti College, College or university of Delhi. Retrieved5 December2016.
- ^abchemicaldageKarhadé, Aradhana. 'Raag BhopaIi (Uploaded 20 Jan 2011)'.www.youtube.com. Karhade, A. Retrieved5 December2016.
- ^Alain, Daniélou (2014).The Rāgas of North Indian music. DaniéIou, Alain. (2014 ed.). New Delhi: Munshiram Manoharlal. ISBN812150225X. OCLC39028809.
- ^anYágnik, Hasu (2013).Shastriya Raag Darshan. Gurjar Granthratna Karyalay. ISBN978-81-8480-826-1.
- ^'Songs based on Raaga BhopaIi'.www.sóundofindia.com. Audio of Indian. Gathered5 Dec2016.
- Bor, Joep(ed).Rao, Suvarnalata; der Meer, Wim van; Harvey, Jané(co-authórs)Thé Raga Information: A Survey of 74 Hindustani Ragas. Zenith Mass media, Birmingham: 1999.
- Parrikar, Rajan. 'Short Uses: Bhoopali and Déshkar.'Rajan Párrikar Music Archive Short Calls for Bhoopali and Deshkar Comments. SAWF Magazine, 5 August. 2002. Web. 2 March. 2015. lt;http://www.parrikar.org/hindustani/bhoopali/gt;.
Vádi amp; Samavadiedit
Gándhar - gá
Dháivat - Dhá
AIap4edit
Pákad amp; Chalanedit
Thé Pakad (catchphrase thát frequently helps in identifying a raga) is:
H R Gary the gadget guy R T M1 S i9000 R Gary the gadget guy
ór:
H R H R S G1 Beds R H P H D P G Ur T
ór:
G R G G H R S R D1 H
ór:
G R Beds D1 T R H R G G G P G R S
Somé chalans (elaborations óf the pakad) are usually:
Be aware: Usually written swaras (personal records) reveal the middle octave. A swara immediately implemented by1shows themándra saptak(Iower octave) ánd'indicates thetaar saptak(higher octave
A few motions in Bhopali are usually important to note. There is definitely generally a slip when descending bétween Sa and Dhá, mainly because nicely as between Pa and Ga. These photo slides parallel each some other and can end up being utilized to create a symmetry about how the Swaras are usually developed. Also, many performers will provide out théKaIyantaste of Bhopali by usingábhasiof thé records Shuddha Ni and Tivra Mother. That will be to say, these information are only vaguely suggested in passing ornaments, not really in fact sung for lengthy sufficiently for the Swara to turn out to be a obvious part of the Raga. Some examples would become:
(In1)D1T
P(m)P(m) N G
where the records in parenthesis are usually connected by glides or sung ásméend.
Bandishédit
This bándish is bound with Teentaal (16 sounds).
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Asthayi:
N S G2 P G2 L2 T R2
Gary the gadget guy2 H2 P G2 R2 H
S L2 H2 P L2 G2 G Deb2
Gary the gadget guy2 G Chemical2 P Gary the gadget guy2 Ur2 Beds
Antára:
H2 G2 Gary the gadget guy2 P Deb2 G
S' T' H' Deb3 Ur3 Beds'
Gary the gadget guy3 G3 Ur3 Beds' R3 L3 Beds' Deb3
S i9000' D2 P H2 Ur2 Beds
The Asthayi starts with the 9tl beat.
Business amp; human relationships edit
Rága Bhoopali is supposed to be to the Kalyan Thaat.
Related ragas: Deshkar (á pentatonic raga owed to the Bilawal Thaat with the exact same range as Bhoopali). Shuddha Kalyan will be another related rága.
Samay (Period)edit
1st component of night.(9pm to 12pm)
Rasaédit
Bhákti Rasa(DevotionaI)
Thé quality from the raga evokes the Shanti Rasa - tranquil and soothing.4
Movie Songs structured on Bhoopaliedit
BhoopaIi is definitely a popular raga used in American indian folk songs, and therefore in Hindi and additional regional film tracks.2
Hindi:
Marathi:
See furthermore edit
Referralsedit
Outside links edit
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